Tuesday, October 27, 2009
The Classics: The Third Man
Who is the third man? An accident has occurred, a man was hit by a car. Three men were on the scene, but only two have been identified and everyone refuses the existence of the third man.
The Third Man is the story of American novelist Holly Martins going to post-WWII Vienna, Austria to visit his friend Harry Lime. Upon arrival Martins learns that Lime was recently hit by a car in an accident, but Martins soon begins to uncover a conspiracy about a penicillin racket and this mysterious third man that leads him to believe that his friend might have in fact been murdered.
The Third Man is really a hit-and-miss film. The premise is ripe with potential for suspense, but there was never a moment in the film where the suspense really elevated to the level needed to really keep me on the edge of my seat. The mystery unfolds in a fashion in which is fairly predictable, the music to the film felt odd and out of place for a film noir, and the film's tone was constantly shifting. Just when the film seemed to be on the right track to hooking the viewer, it did a complete U-turn and went back the other way.
Even for all my gripes, the film has many great things about it. The performances from Joseph Cotton and Orson Welles as Martins and Lime were superb, the cinematography was simply marvelous, and for the time the direction was very unique, directed in a way that many movies weren't done till at least the 60s (the infamous sewer chase is the true stand-out moment of the film).
While the film has many things going for it, at the end of the day it doesn't stack up well against some of the finer mystery/thrillers in cinema history.
I give The Third Man a D+!