Tuesday, March 1, 2016
Reactions to the 2016 Oscars!
So I'm a day late here, but that's because I was still having fun with my brother and sister-in-law all Monday morning and then had to drive back home from Nashville to Birmingham that afternoon. All of that to say, I just didn't get around to writing out my reactions to the 88th Academy Awards till now. So what did I think? Well, it was a better show than I thought it would be.
I think Chris Rock handled the controversy as well as any host could, and I was genuinely surprised at how he didn't point fingers or turn it into a massive soap box, everyone got ripped at some point throughout the night (and it definitely helped that a lot of the jokes were genuinely humorous). While I do feel they should have just gone to business as usual after the opening monologue, instead of constantly dredging the controversy back up with more gags and bits, it's all water under the bridge now and hopefully next year can just be about the movies and nothing else. For me personally, my favorite bit of the whole night was Chris Rock's girl scout cookies' bit. It was the only non-controversy gag done the entire night, and I found it a refreshing breather that was just sweet, funny, and reminiscent of Ellen Degeneres ordering the pizzas a couple of years ago. All in all, this year's Oscars were enjoyable with far less controversy and animosity than I expected, though I do have to call out the Academy for one of their choices in producing the show.
Every single year all of the Best Original Song nominees sing their songs on the show before the award is given out. Well, this year the producers cut two of the five songs from the program, citing they didn't have time in the show for them, but that seems to be a silly excuse to me. They could have cut the funny, but time consuming bit where Chris Rock went and interviewed people in Compton about the nominated movies, or the bit about Black History Month being about Jack Black. Sure, those were both enjoyable, but to not perform two of the nominated songs was just a slap in the face to the people who made them. One reason why so many people are refusing to buy the Academy's story that they simply didn't have time for them, is mainly because they did and they chose to only have the three songs performed by the more well known artists on the show. While I have never heard of Sumi Jo and Anohni, the two artists who didn't get to perform their songs at the Oscars, everyone has heard of Lady Gaga, The Weekend, and Sam Smith. There's something wrong with that picture and I think the Academy should be ashamed of themselves for basically playing favorites for ratings. Alright, now that I am done with my soapbox, how did I fare in my predictions?
Overall I went 19 of 24 in my predictions. That's a respectable number, but three shy of my personal best from two years ago. My thought that The Big Short's PGA win would hold more clout than Spotlight's SAG Ensemble win, was really a coin toss kind of thought process. I seriously almost changed my prediction to Spotlight before I posted, but I stayed with The Big Short because the PGA has the exact same balloting system as the Academy, choosing to let that be more telling than the fact that actors make up majority of the Academy. In truth, the only real surprises of the night for me were Sam Smith trumping Lady Gaga for Original Song and Ex Machina deservedly winning Best Visual Effects.
While Sam Smith was the only other person I thought stood a chance of winning Original Song, I really thought Gaga had it sewn up, and clearly everyone else did too, considering how many people were shocked by it. As for Ex Machina, no one in a million years thought this small, British sci-fi Indie could topple four blockbusters to win for Visual Effects, and yet it did. I read somewhere that Vegas had it at an 80-1 odd, that's really quite impressive that it managed to win. As for other perceived surprises in the media -- Spotlight's win, Mark Rylance trumping Stallone, or Mad Max dominating The Revenant in the tech categories -- I was not surprised by any of them.
Rylance was super deserving of his win, being the best part of Bridge of Spies, a movie the Academy loved a whole lot, as is evidenced by its many nominations. While I would have loved to see Stallone win, Rylance is a hard-working character actor who did a phenomenal job in the movie that he was in, so to say he didn't deserve it and Stallone did is just petty. It's an apples and oranges argument, pure and simple. Speaking to the other perceived surprises, Mad Max winning the most Oscars of the night with 6 total did not surprise me in the slightest. It won everywhere I thought it would, save for Visual Effects. It had just dominated too much in all of the precursor awards leading up to Sunday night that there was no way it was going to be toppled by another movie. And what about Spotlight coming out on top? Well a lot of people were hedging all of their bets on The Revenant to win Best Picture because it had the most nominations and Spotlight ultimately won only one other award for Original Screenplay (which is rare in-and-of itself), but those people weren't looking at the fact that it's clearly been a critical and industry favorite all season long. Spotlight was never snubbed by any of the award shows in regards to nominations and triumphed with the Best Ensemble award at the SAG Awards, speaking to genuine love and support from the largest branch of the Academy. Simply put, Spotlight was a quiet frontrunner that people weren't paying any mind because of its unshowy manner, which is what probably got it the win, because it was a movie that relied solely on its script, its acting, and a deft directorial hand to keep the movie from being stale. So that's that for this year's Oscar.
Sitting here at the end of this year's Oscar race, I am personally glad for the first time ever that an awards season is all over. All of the controversy around this year's awards season, and in particular the Oscars, really detracted from a lot of the joy for me. Add on top of that a bunch of movies that I am sure were well made, but just did not appeal to me enough to warrant shelling out $10 and the gas money to drive to the other side of town to see, just kept me from being as excited as usual. I hope next year's crop of movies will be more appealing to me, and I hope like always that more blockbusters will be recognized by the Academy. Just because something is popular doesn't mean that it's bad, typically that means it's good and to snub every superhero movie or whatnot is rather ridiculous in this fanboy's mind. Of course, if it were up to me, just about every movie nominated would have some sci-fi or fantasy element to it, so I am biased, but hey... A fanboy can dream, can't he?
Sunday, February 28, 2016
Predicting the 2016 Oscars!
Tonight is the night! The biggest night that the movie industry has every single year. While I am excited about tonight (partly because I am going to a special Oscars viewing event with my brother and sister-in-law), as for the show itself, this is the least excited I have been for any Oscars ceremony my entire life. Here's the thing, not only has this year's Oscars been mired in controversy and have a host that will assuredly be too political in Chris Rock (just my opinion), I also had no desire to see majority of the movies nominated this time. It's not that a lot of the movies probably aren't well made movies, their subject matter just didn't intrigue me enough to warrant spending $10 to see. With all that said, I have kept up with the race closely, as I always have, and while I haven't seen half of the movies nominated for Best Picture, I know enough about the movies and their awards chances to make good educated predictions.
So what are the things you should expect to see tonight? Leonardo DiCaprio winning Best Actor and Brie Larson winning Best Actress are the two surest bets of the entire night. Also, if anyone thinks Inside Out wont win Best Animated Feature, they're probably kidding themselves. Aside from that, other pretty solid bets are Mad Max: Fury Road cleaning up in the crafts categories. While I personally am pulling for Star Wars: The Force Awakens any chance I can get (which should have been nominated for Best Picture, and also win if it were), realistically Mad Max has been the token blockbuster favorite with critics and the industry all awards season and I don't expect that to change tonight. Why critics and the industry seem to always single out just one blockbuster every year to lavish all of their accolades on and then give everything else to a dozen or so dramas, I'll never get that kind of pretentiousness, but that's the way it goes. Now the real question marks of the night are in arguably the two biggest categories.
Best Director and Best Picture are really up in the air this year. The Revenant won the Director's Guild Award for its directing, as well as the BAFTA and Golden Globes for both Picture and Directing, but The Big Short won the Producer's Guild Award, which has been the most accurate predictor of Best Picture the past few years because it's the only other award that uses the same voting system as the Academy. However, there's also the potential spoiler in Spotlight which won the Screen Actor's Guild Award for Best Ensemble, which traditionally is a harbinger for Best Picture glory. So the race is really split three ways between these three movies for Best Picture, and while I don't think neither Big Short director Adam McKay, nor Spotlight director Tom McCarthy, have a shot at winning Best Director, The Revenant director Alejandro G. Inarritu could find himself upset by Mad Max: Fury Road director George Miller. There's a lot of support for Miller in the industry, so don't discount that. If Best Film Editing (a good indicator for Director and Picture) goes to Mad Max, we might see this as a possibility. As well, look for Emmanuel Lubezki to be the first cinematographer ever to win three Oscars in a row for The Revenant, and if Inarritu does win Best Director for the same movie, he will be the first director to win two years in a row since Joseph Mankiewicz in 1951, and the first director to direct two Best Picture winers in a row. Is Inarritu going to be immortalized by the Academy? Time will tell, but for now here are my predictions for 2016's Academy Awards! And for a full list of nominees, check this link.
Best Documentary Short: Claude Lanzmann: Spectres of the Shoah
Best Short Film - Animated: Bear Story (Historia de un Oso)
Best Short Film - Live Action: Stutterer
Best Sound Editing: Mad Max: Fury Road
Best Sound Mixing: Mad Max: Fury Road
Best Visual Effects: Mad Max: Fury Road
Best Makeup and Hairstyling: Mad Max: Fury Road
Best Costume Design: Mad Max: Fury Road
Best Production Design: Mad Max: Fury Road
Best Film Editing: Mad Max: Fury Road
Best Cinematography: The Revenant
Best Documentary Feature: Amy
Best Foreign Language Film: Son of Saul
Best Animated Feature Film: Inside Out
Best Original Song: "Til it Happens to You" from The Hunting Ground
Best Original Score: The Hateful Eight
Best Adapted Screenplay: The Big Short
Best Original Screenplay: Spotlight
Best Supporting Actress: Alicia Vikander, The Danish Girl
Best Supporting Actor: Sylvester Stallone, Creed
Best Actress: Brie Larson, Room
Best Actor: Leonardo DiCaprio, The Revenant
Best Director: Alejandro G. Inarritu, The Revenant
Best Picture: The Big Short
As always, check back tomorrow for my full reactions to this year's Academy Awards!
Friday, February 12, 2016
Movie Review: "Deadpool"
If you like your movies violent and vulgar, then Deadpool is right for you. Based on the Marvel Comics character, Deadpool is about Wade Wilson aka Deadpool, a masked merc with a mouth who is on a mission to find the jerks who physically scarred him, and that's about the whole movie right there. Deadpool is essentially one long chase movie with flashbacks thrown in to give the chase context. Ultimately, how much you enjoy the movie simply boils down to how funny you find Ryan Reynold's filthy-mouthed portrayal of Deadpool. Don't be fooled into thinking this is a fun superhero movie for the whole family, this movie has a hard R-rating, and deservedly so. While I personally found a lot of the violence, nudity, and language unnecessary, we live in a day-and-age where so many are desensitized to these things, I know I'm in the minority. Bottom line, if you enjoy movies that are as rude, crude, and socially unacceptable as possible, Deadpool is right for you.
I give Deadpool a 5 out of 10!
I give Deadpool a 5 out of 10!
Friday, February 5, 2016
Movie Review: "Hail, Caesar!"
I am not really sure where to begin here. Hail, Caesar! was a movie I wanted to love, but just couldn't. The thought of not liking a Coen brothers comedy still horrifies me, but that's exactly the case here.Hail, Caesar! stars Josh Brolin as a Hollywood fixer for a fictional movie studio in the Fifties, and it is his job to privately resolve issues between stars, directors, and the media. This idea seems to be perfect fodder for the Coens to mine, but the movie just never really seems to click into place.
George Clooney portrays a buffoonish movie star who is kidnapped by Communist screenwriters. Why? The movie never really makes that clear. Then there are all of the well produced, but overly long stretches showing the various movies in production at the studio, from a biblical epic to a Gene Kelly-type song-and-dance movie. I wanted to enjoy everything this movie was doing, but I never got why we were spending so much time with characters who literally only show up for one scene and then are done.
The only real saving grace for this movie is the very funny performance from Alden Ehrenreich as a singing cowboy movie star who helps Brolin rescue Clooney. I personally would have watched a whole movie about Ehrenreich's character and had been more satisfied.
At the end of the day, I still think there was a great movie idea in here somewhere, but Hail, Caesar! never quite finds it, nurtures it, and brings it to the forefront.
I give Hail, Caesar! a 5 out of 10!
Friday, January 29, 2016
Movie Review: "The Finest Hours"
On February 18, 1952, the SS Pendleton oil tanker broke in two just off the coast of Cape Cod during a violent Nor'easter. The Finest Hours is the heroic tale of the four Coast Guard crewmen who defied all odds and pulled off one of the greatest rescue missions of all-time. Starring Chris Pine as soft-spoken Bernie Webber, the Coast Guard Captain who piloted the tiny rescue boat into the storm and came back with 32 Pendleton survivors aboard, The Finest Hours is a beautifully realized history lesson that is full of emotion.
While some might call this movie old-fashioned, that is the reason I like it. This is a movie that represents everyday men and women full of courage in the face of insurmountable fear. In short, if I had to sum up this movie in one word, it would be bravery. From the bravery displayed by Bernie Webber and his fellow Coast Guardsmen, to the crew of the SS Pendleton led by Casey Affleck's Ray Sybert, all the way to Holliday Grainger as Miriam Pentinen, Bernie's fiance who is doing everything on land to make sure Bernie comes home safely, it was the bravery of all of the individuals involved that created such a fascinating story. Of course, what makes The Finest Hours stick with you is the relationship between Bernie and Miriam. Pine and Grainger have a magnetic chemistry that has you rooting for them to be together, with Grainger exuding a screen presence not too dissimilar from many starlets of the Golden Age of Hollywood. It is this ability to emotionally connect that makes The Finest Hours more than an interesting true life adventure story.
I give The Finest Hours a 9 out of 10!
While some might call this movie old-fashioned, that is the reason I like it. This is a movie that represents everyday men and women full of courage in the face of insurmountable fear. In short, if I had to sum up this movie in one word, it would be bravery. From the bravery displayed by Bernie Webber and his fellow Coast Guardsmen, to the crew of the SS Pendleton led by Casey Affleck's Ray Sybert, all the way to Holliday Grainger as Miriam Pentinen, Bernie's fiance who is doing everything on land to make sure Bernie comes home safely, it was the bravery of all of the individuals involved that created such a fascinating story. Of course, what makes The Finest Hours stick with you is the relationship between Bernie and Miriam. Pine and Grainger have a magnetic chemistry that has you rooting for them to be together, with Grainger exuding a screen presence not too dissimilar from many starlets of the Golden Age of Hollywood. It is this ability to emotionally connect that makes The Finest Hours more than an interesting true life adventure story.
I give The Finest Hours a 9 out of 10!
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